My process begins with a walk in the woods. I use the expressiveness of natural forms to investigate color and pattern. Located in the midst of my garden, my studio offers a front row seat to cycles of growth and decline.

I link the narrative of deep time — a geologic timeline of Earth’s natural history — with contemporary concerns about climate crises. Exploring the intersection of wild and cultivated landscapes, I envision a world where forests are preserved and green spaces are considered essential features of urban life.

I paint with oils, interpreting native and invasive plants encountered in wilderness areas, vacant lots, and on the edges of my backyard. Absorbing nature through all my senses, I return to my studio to distill the unencumbered energy of the natural world.

I focus my awareness of environmental concerns about stewardship and sustainability, while celebrating the beauty and exuberance of our natural world.